Discovering Ones Identity: Love and Money in New York urban center         With nigh people, solitariness is an escape not from other(a)s, but from themselves. For they suck up in the eyes of others only a reflection of themselves. The cite by Eric Hoffer reminds me of Toni Morrisons malarkey and Edith Whartons House of Mirth in that the chief(prenominal) characters of the novels encountered glacial crises where their sense of identity was thwarted by specie, come, or their kinship with another character. The House of Mirth centers on Lily Barts act to sham wealth and a haughty social status, which, in turn, leads her to achieving a sense of egotism, but only at the highest of cost. Her relationships with Selden and other staminate characters, such as Percy and Trenor, lead her to a wide-eyed credit of her true place in society and advise bulky moral lessons to the reader on wealth and bask. In Jazz, Toni Morrison portrays the difficultness of African-Americans in New York City in their capability to take a crap a sense of self understanding through and through the obstacles of money and the emotion of love through the characters of Dorcas, violet, Joe, and Golden Gray.

Although race and societal status of the primary characters offers a certain degree of stochastic variable between Jazz and The House of Mirth, some(prenominal) novels give stir dimensions to characters that alert and instruct the reader to a higher aim of understanding themselves in a society whose high set are lay on achieving wealth, prominent status, and profitable personalized relati onships, extraneous to love or personal sati! sfaction. Â Â Â Â Â Â Â Â The theme of love is introduced in both novels from the very beginning, both leading us down paths in which identity and money play equally important roles. When Violet sets the parrot squawking, I love you, relax and when Seldens... If you want to take a crap a full essay, order it on our website:
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